Sermon  - The Rev. Leah D. Schade
Reformation Lutheran Church, Media, PA
Sermons on the Psalms - Psalm 150
Oct. 14, 2007

Let’s see if you remember what we learned about the beginning and end of the psalter.  Psalm 1 begins with . . .  “Blessed”. Psalm 150 ends with . . . “Hallelujah!”  Very good.  As you’ll recall, Psalm 1 was the formal and intentional beginning of the Psalter, suggesting that living a life following God’s commands is the way to true blessedness.  “In relation to that, Psalm 150 states the outcome of such a life . . . unencumbered praise. . . [It is] an extravagant summons to praise, which seeks to mobilize all creation with a spontaneous and unreserved act of adoration, praise, gratitude and awe,” (Brueggemann, 167). 

I have to tell you that Psalm 150 is one of my favorite psalms, for obvious reasons - it talks about the harp! And it also mentions the drums, which is what my husband plays.  So we both love this psalm.  In fact, we had it read at our wedding, we like it so much. 

Psalm 150 is the call to praise God, the doxology for the end of the psalter.  Praise is to come from God’s sanctuary, and then move out into God’s mighty firmament.  This suggests that praise unites both spheres of the cosmos:  heaven and earth.  And this Psalm was specifically chosen to be the capstone on the psalter.  “All the preceding psalms have given every possible reason for praising God,” (Hopkins, 31). 

Think of the sampling of psalms we’ve covered in the last five weeks.  Psalm 1 showing us the right path, planting us like trees beside the water.  Psalm 22 expressing our agony when life brings us tragedy.  Psalm 23 comforting us with images of God as the shepherd and the host at the great banquet.  Psalm 146 moving us beyond our selfishness to help those in need, to try on their shoes, so to speak, and understand their story.  Psalm 137, the beautifully dangerous psalm, calling our attention to those who suffer brutal violence in our world, giving us permission to pray even our most difficult emotions.

And now we arrive at Psalm 150 with nothing but praise in our hearts and on our lips.  We have come through the hard pilgrimage, we have survived the abuse, we have waded through the fears and sorrows, and found ourselves at the assembly of God’s people joining with the cosmos in humility, trust, hope, prayer and praise. 

We are to praise God simply because of who God is and what God does.  And Psalm 150 shines like a light from the top of the hill we have climbed, illuminating all that we came through.  The German theologian Artur Weiser says that “from this position it may shed light on the whole Psalter.  In praising God the meaning of the world is fulfilled.  To praise the abundance of God’s power is the purpose which links together the most diverse voices in heaven and on earth in a tremendous symphonic hymn of praise,” (Weiser, 841). 

We are to praise God with every means available to us.  This list of instruments is meant to represent every being in the cosmos.  In the words of scholar John Eaton:  “At the heart of the worship before God’s face, they represent every voice in earth, seas and heavens.  As horns are blown, frame-drums tapped, strings swept and plucked, pipes breathed and cymbals shivered, the sounds of nature come together - the praise of the waters and the winds, grasses and leaves, lions and birds, goats and oxen, mothers and children, and the circling, turning dancers represent the movement of the world round God, from God and to God again,” (Eaton, 486). 

Praising God is good for us.  But, did you know - it’s also good for God.  Remember this is a relationship we’re talking about here.  God loves to hear us saying “We love you God!”  As the writer Denise Hopkins says, “When God is praised, and praised properly, God is the better for it.  God’s power becomes more focused; God’s power is magnified because God allows and equips the entire universe to sing the divine praises,” (Hopkins, 31).

Everything that breathes is to praise the Lord.  But even more than that - every part of God’s creation is to praise God, even the stones, as Jesus said.  When the people were singing hosannas as Jesus was making his triumphal journey into Jerusalem on Palm Sunday, the officials tried to get him to shush them up.  I think they must have been Lutheran.  Because this is the way we often act.  This kind of raucous exuberance is embarrassing.  It’s not dignified.  We have this discomfort with dancing to the Lord, as David did before the ark of the covenant.  We are a little leery when people start shouting amens during the sermon.  Heck, we can’t even clap on 2 and 4, let alone allow our bodies to sway to the music.

But Jesus tells those officials that if he commands his followers to be quiet, even the stones will cry out.  Every part of creation hums with the music of the spheres.  The waves clap against the shore.  The wind sings through the trees.  Every atom vibrates with motion that creates sound on some level.

It is so appropriate that we have this psalm on our Music Celebration Sunday.  You are being treated to both vocal ensembles - the Chancel Choir and Souls Afire.  You are hearing the stone-shaking rumbles of the organ, and the loud, clanging cymbals of the drum.  Soon we will hear our children sing again with Julie leading them in song.  Our teens lead us in worship with ROCK Stars.  We have a music program with three fabulous leaders in place that are really going to kick it up a notch.

But even with all these great directors, singers and instrumentalists in place, it’s still not complete.  There’s something missing . . . YOU!  And you know who you are.  You’re the one who won’t sing because you just don’t like to.  Someone told you once that you don’t have a nice voice, or made fun of you for singing off key, and you’ve been clammed up ever since.  Or maybe you’re the one who refuses to sing when we’re doing a song you don’t recognize.  Or maybe you just think you’re too darn cool to sing.  I’ll tell you, there’s nothing that chases out the Holy Spirit quicker than mockery and cynicism.  All it takes is one person smirking at the singing going on around him or her to throw a wet blanket on the fire of the Holy Spirit.   

I remember once having some conversations trying to figure out why people don’t sing during worship.  But no matter what the reason, when you withhold your voice, you withhold something from our assembly, and you withhold something from God.  Perhaps we don’t realize how much is at stake in all this.  As Denise Hopkins says, “Perhaps we are unwilling to see God at work concretely in the world and to praise and help in that work.  Perhaps we fear throwing our whole selves into worship and revealing too much about ourselves and our dependence upon God,” (Hopkins, 32).     

You praise makes a difference in the world.  Your voice joins with the singing of the universe, with the child next to you, with the saints in heaven.  There’s nothing like singing in a large group because you can at once hear your own individual voice, and at the same time hear it blending in with all the other voices around you.  You are an individual, and you are part of the community.  You need them, and they need you.  Again, it’s about relationship.  And we are all connected to God who created us all. 

Last year, Pastor Smoose did a sermon in which he actually had all of you sing a part of a hymn in four-part harmony.  It was one of the most amazing moments in a worship service that I’ve ever experienced here.  Because you were all willing to participate and join your voices together.  I want to try that experiment again, because I think we each need to be reminded how important it is to sing together.  I don’t care if you think your voice is terrible.  Or if your kids kindly request for you to refrain from singing.  I don’t care if you never took music lessons and couldn’t tell a B-flat from a G-sharp. I don’t care if what comes out of your mouth sounds like a stone dropping.  That’s okay.  Because Jesus said that even the stones will sing.  And if that’s you - go ahead and make your joyful noise, baby! 

We’ll sing just the first eight notes of this next hymn, Beethoven’s “Ode to Joy.”  And we’re going to sing in 4-part harmony, in the great tradition of Lutheran hymn-singing.  For you music afficianados, we even printed all four part instead of just the melody like we usually do.  We’ll start with the basses . . . tenors . . . altos . . . sopranos.

Now if we do this right, and we all sing together, you may experience that tingle, that little shiver.  That’s what it feels like to praise God, truly praise God with your fellow worshipers.  There is no other feeling like it in the world.  And I don’t want you to forget this.  I want you to sing from now on.  I want you to sing hymns that you’ve never heard before and songs we’ve sung so often, you’re tired of them.  I want you to sing at the beginning of the service when your voice is still cold, and I want you to sing during communion when you think you need to be piously silent.  

I want you to sing like your life depends on it.  Because it does.  The life of the world depends on our full participation in it.  As Walter Brueggeman says, “The Psalter intends to lead and nurture people to such a freedom that finds its proper life in happy communion that knows no restraint of convention or propriety.  That is the hope for Israel and for all creation,” (Brueggeman, 167).

And so we sing it again, Hallelujah, praise the Lord! 

Sources:
Brueggemann, Walter, The Message of the Psalms, Augsburg, Minneapolis, 1984.
Eaton, John, The Psalms, 2005, Continuum, New York
Hopkins, Denie Dombkowski, Journey through the Psalms, United Church Press, NY, 1990.
Weiser, Artur, The Psalms: A Commentary, The Westminster Press, Philadelphia, 1962